@tavishhill2003 It is :)
The thought that have gone into everything from the instrumentation and chords to the time signatures is astonoshing. Is this the piece you're referring to?
https://www.youtube.com/watch?v=dLRkr5AgQ-A
As you may have noticed it's a rework of the popular "What shall we do with the drunken sailor" (originally in 4/4) but its time signature is changed to 6/8 which is more fitting to the modern epic orchestral music we have come to associate with pirates, and one time he said that the signature gives you that on-board-a-floating-vessel-feel (whether Hans Zimmer, the father of orchestral pirate music, or Beanland himself figured that out I'm not sure)
Disclaimer: Some may say that Klaus Bedalt is the father of orchestral pirate music, but it is purely out of legal reasons his name stands alone on the first PotC movie. He is a student of Hans Zimmer, who was not legally allowed to work on any movies at the time, and while Klaus helped, it is actually a work of Zimmer despite it being fully credited to Klaus. Zimmer is credited for the following three movies, cause then the contract allowed him to.